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Antique Associates at West Townsend
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George Washington, Marble Bust, Confidently Attributed to Horatio Greenough
Horatio Greenough (1805-1842) Unsigned
Date/Period: Circa 1840s - SOLD


George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view

Measurement: Height: 27"

Material: Marble

Condition: Very good, an old fissure under neck (on chest) was expertly restored and is
not visible unless you know it’s there, displays pristine; cleaned and waxed

Additional Information: This handsome marble Neoclassical bust of George
Washington can be securely attributed to the hand of the renowned expatriate American
sculptor Horatio Greenough (1805-1852). The bust dates to the 1840s, just after
Greenough completed his magisterial seated sculpture of our national hero. It was
common for sculptors to create multiple versions of a figure once the initial one was
sold, allowing them to earn a greater profit. Often this was done when patrons placed an
order. This practice accounts for the different versions of the bust, some are draped
while others are not, for instance.

Characteristic of Greenough’s hand is the sensitively modeled, naturalistic bust of
Washington, the carved marble yielding a sensation of living flesh. The deeply carved,
rippled, volumetric hair is a distinctive and easily recognized feature of Greenough’s art
and is evident in other Washington busts by him in the collections of the Metropolitan
Museum of Art and the Museum of Fine Arts Boston. The eyes are also typical in
Greenough’s choice of a blank eye surface, conveying a timeless, classical appearance.
Classical also and employed in most of Greenough’s portraits of great historical
personages, is the draped toga. A dignified heroic image of the first president.

SOLD

1121-71


George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 2

George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 3

George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 4

George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 5

George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 6

George Washington, Marble Bust, Confidently Attributed to Horatio Greenough Horatio Greenough (1805-1842) Unsigned, entire view 7



Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat
President William Henry Harrison (1773 to 1841)
Date/Period: Circa 1840


Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), entire view

Measurement: Height: 33.5"; seat height: 18.5"; width: 17"; depth: 15.25"

Material: Mixed woods, polychrome, bronze & gold powder paints, printed transfer portrait

Condition: Very good, commensurate with age and use

Additional Information: The tablet back features an oval portrait of Harrison flanked by
stenciled and hand painted sprigging, oak leaves, and acorns; eagle splat above caned
seat raised on turned legs joined by box stretchers. An exceedingly rare chair.

$4,850.00

232-433


Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), entire view 2

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), detail view 1

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), detail view 2

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), detail view 3

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), detail view 4

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), entire view 3

Sheraton Side Chair Featuring Portrait of William Henry Harrison, Eagle Splat President William Henry Harrison (1773 to 1841), entire view 4



Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait
Date/Period: Circa 1830


Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait, entire view

Measurement: Portrait: 3.25" x 4"; Frame: 6.75" x 7.5"

Material: Oil paint on wood panel

Condition: Excellent, our framer installed the painting it its current frame; we will
include the frame in which it was housed for 100+ years as part of its history.

Additional Information: The Vaughn-type portrait of George Washington is one of
three Washington portrait compositional types painted by Stuart. The other two are the
Athenaeum type, an unfinished head, much replicated notably in a United States
postage stamp, and the Lansdowne type, showing Washington standing with his hand
resting on a table. Along with Emanuel Leutze’s mid-1800’ s genre painting of
Washington crossing the Delaware River, these are the three most famous portrayals of
the paramount American leader. Washington was revered as the “Father of Our
Country”
during his lifetime, and that sentiment persists to the present day. The
Metropolitan Museum of Art’s Gibbs-Channing-Avery portrait is universally considered
the best version of the Vaughn-type Washington portrait. It is one of just a couple to
have the green drapery/landscape background (others have a rust/orange background)
and Stuart is masterful in his capture of Washington’s personality.

This beautifully rendered miniature replica of Gilbert Stuart’s Vaughn-type portrait of
George Washington (Metropolitan Museum of Art) is intriguing for several reasons. One:
it does not show the entire picture field but instead cuts off a substantial portion of the
bottom and the right side of the composition, while replicating the distinctive olive-green
background curtain color and costume details, notably the sawtooth hair bow, and high
collared black velvet jacket. Two: Washington is portrayed at a significantly younger age
than in Stuart’s iconic painting. Three: the pupils of Washington’s eyes are far larger
with a noticeable intense blue color. The original has a “beady-eyed” look. This small
and freely-brushed likeness is thus not an attempt to exactly copy Stuart’s painting but
perhaps an artist’s desire to experiment with improving it. Four: the painting is a
miniature. This suggests that the painter was a professional miniature painter who
would have had access to the original painting as the period of creation is too early to
allow for exact photographic reproduction for use as a model. An engraving of the
Vaughn-type portrait was made around the time of its completion, but this was black
and white and wouldn’t have recorded the color scheme. The miniature is not signed,
and interestingly, neither did Stuart typically sign his work, convinced that the quality of
his painting required no means of official identification. One could speculate that a
talented professional artist with an expertise in miniature painting and a particular
interest in painting Washington created this piece as an exercise rather than a formal
project, as the rendition is thinly painted and freely brushed. This would account for the
lack of a signature.

$3,150.00

1292-8


Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait, entire view sans frame

Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait, detail view

Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait, detail view

Portrait, George Washington After Gilbert Stuart’s Gibbs-Channing-Avery Portrait, back view



Historic Transfer Printed Dish, General Jackson – The Hero of New Orleans
Staffordshire…Featuring Campaign Image of Jackson, Probably Enoch Wood & Sons
Date/Period: Circa 1825


Historic Transfer Printed Dish, General Jackson – The Hero of New Orleans Staffordshire…Featuring Campaign Image of Jackson, Probably Enoch Wood & Sons, entire view

Measurement: Diameter: 8.75"

Material: Pearlware

Condition: Excellent original condition

Reference: See Anglo American Ceramics by David and Linda Arman, page 112, J.5

Additional Information: Sepia transfer printed pink luster plate…the molded feather
edge rim ornamented with hand painted luster centers the sepia transfer printed portrait
of General Jackson in civilian dress. Inscription reads: “General Jackson – The Hero of
New Orleans.”

$1,150.00

1213-35


Historic Transfer Printed Dish, General Jackson – The Hero of New Orleans Staffordshire…Featuring Campaign Image of Jackson, Probably Enoch Wood & Sons, detail view

Historic Transfer Printed Dish, General Jackson – The Hero of New Orleans Staffordshire…Featuring Campaign Image of Jackson, Probably Enoch Wood & Sons, bottom view



Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”
Date/Period: 1860


Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 1

Measurement: Height: 22.5"

Material: Plaster

Condition: Minor restoration to proper right front corner of base

Additional Information: Unique plaster model, no doubt intended for an otherwise
unknown, likely never produced marble or bronze bust.
Reverse signed: “J.S. Sculptor – 1860”.

$8,350.00

232-396


Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 2

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 3

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 4

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 5

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 6

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, entire view 7

Abraham Lincoln Plaster Portrait Bust, No Beard, Signed: “J.S. Sculptor – 1860”, artist detail



Gold Quartz Presentation Cane, D.M. Burns,
Secretary of State, California, 1883
Date/Period: 1883


Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, entire view

Measurement: Length: 34.75"

Material: Gold, gold quartz, rosewood

Condition: Fine

Additional Information: Presented to Honorable D.M. Burns – Secretary of State – From the
Employees of his Department – January 8th, 1883. [Daniel M. Burns was California’s Secretary
of State, 1880-1883)
DANIEL MONROE BURNS Probably the youngest Tennessean at Sutter's Fort when the
eastern gold seekers began to arrive in 1849 was Daniel born in Paris, Tennessee, in 1845. He,
an older brother Thomas M., and sister Laura A. had accompanied their parents William and
Caroline Griffin Burns when they left Henry County in 1846 to lead a wagon train of settlers to
Oregon. While in route, their father died of cholera. Sometime after reaching Oregon, the
widowed mother married Alfred Shelby, and in February 1849, they responded to the gold
discovery by relocating to Sutter's Fort.
• Burns served in the army during the Civil War, promoted to Colonel.
• Service Record: Enlisted in Company B, California 4th Infantry Regiment on 15 Apr
1864.Mustered out on 19 Feb 1866 at Drum Barracks, CA.
• 1872-1876: Deputy County Clerk, Yolo County
• 1877-1880: Deputy County Clerk, Yolo County
• 1890s: Police Commissioner, City of San Francisco
• 1899: Candidate for U.S. Senate (Lost)
Died 30 May 1927 in Palo Alto, Santa Clara, California, United State

$11,350.00

232-383


Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, detail view 1

Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, detail view 2

Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, detail view 3

Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, detail view 4

Gold Quartz Presentation Cane, D.M. Burns, Secretary of State, California, 1883, detail view 5



Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore
Boston [Governor: 1861-1866]
Date/Period: Mid-19th Century [Milmore (American) 1844-1883]


Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], entire view 1

Measurement: Height: 21"

Material: Biscuit porcelain

Condition: Fine original condition

Additional Information: Impressed on back: M. MILMORE / SCULPT – PUBLISHED
BY J.MC & D. & S. / BOSTON / COPYRIGHT. [Jones, McDuffie, and Stratton].

$1,500.00

977-70


Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], entire view 2

Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], entire view 3

Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], head and shoulders 1

Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], head and shoulders 2

Parian Figure, Massachusetts Governor John A. Andrews, After Martin Milmore Boston [Governor: 1861-1866], entire view 4



Daniel Webster, Parian Figure After Thomas Ball,
G.W. Nichols, Boston, 1853


Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, entire view 1

Ball modeled this figure on the eve of the Statesman’s death and later received a first-
class gold medal from the Charitable Mechanics Association. During Ball’s long career
he modeled several portraits of Daniel Webster (1782-1852). In 1853 the sculptor sold
the reproduction rights for this statuette to George Ward Nichols, a Boston art dealer,
for $500.00 The artist was relieved to relinquish any further responsibility as he found
the details of copywriting, production and piracy to be vexing.
See Ceramics in America, 2002, pp. 62 to 79, Ellen Paul Denker, Parian Porcelain
Statuary: American Sculptors and the Introduction of Art in American Ceramics;
Figure 6 is discussed on page 69. (Excellent original condition; height: 26”)


Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, entire view 2

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, entire view 3

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, entire view 4

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, entire view 5

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, detail view 1

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, detail view 2

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, detail view 3

Daniel Webster, Parian Figure After Thomas Ball, G.W. Nichols, Boston, 1853, detail view 4

$5,950.00

232-381




Henry Clay Bronze Figure, Full Length Statuette,
Thomas Ball, Boston, Modeled 1858
Thomas Ball (1819 to 1911) one of the leading sculptors
of the post Civil War period
Charles Wynne Nichols (British/American, 1831 to 1903),
after models by Thomas Ball
Signature (on lower back of drapery) T. Ball Sculp.
Boston 1858 (H: 30")
Patent assigned to G.W. Nichols
A Fine and Rare Figure of a Great Statesman


Henry Clay Bronze Figure, Full Length Statuette, Thomas Ball, Boston, Modeled 1858
Thomas Ball (1819 to 1911), entire view

Another example is in the collection of the Los Angeles County Museum of Art, also the United States Senate Art Collection at the Capitol

$22,650

232-341


Henry Clay Bronze Figure, Full Length Statuette, Thomas Ball, Boston, Modeled 1858
Thomas Ball (1819 to 1911), angle view
Henry Clay Bronze Figure, Full Length Statuette, Thomas Ball, Boston, Modeled 1858
Thomas Ball (1819 to 1911), head detail
Henry Clay Bronze Figure, Full Length Statuette, Thomas Ball, Boston, Modeled 1858
Thomas Ball (1819 to 1911), engraving detail



Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD


Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD, side 1

A large 12 by 13-inch axe head displaying red, white and blue paint; silver painted
cutting edge…wood handle (42-inches). The burner spout and shield are angled so that
when the ax rests on shoulder the decoration and flame are vertically aligned. Rail-
splitter ax torches are mentioned in Political Campaign Torches by Herbert R. Collins
(Smithsonian Institution, 1964) page 31, a description of a battle axes. The author
mentions two examples, one within the collections of two Washington D.C.
museums…the Lincoln Museum, and the U.S. National Museum. Scatted dings and
small paint losses; missing burner/cap.


Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD, side 2

Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD, axe head side 1

Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD, axe head side 2

Rail-Splitters Campaign Torch, Political, Lincoln, Painted Tin, Wood Handle
Unknown maker, Lincoln campaign of 1860 and 1864, BEST FORM
AMERICAN SHIELD, detail view

$12,500.00

232-371




Civil War Period Tobacco Pouch, Portraits of Lincoln and Grant
Unknown Maker, Likely Unique


Civil War Period Tobacco Pouch, Portraits of Lincoln and Grant
Unknown maker, likely unique, right facing

A supple drawstring pouch displaying oval portraits above printed names centered by
scrolling leafy devices. Expected wear commensurate with age, medium and use.
(5.75" x 5")


Civil War Period Tobacco Pouch, Portraits of Lincoln and Grant
Unknown maker, likely unique, right facing

$2,125.00

232-373




Cigar Case; Papier Mache, Zachary Taylor on Horseback,
Battle of the Rio Grande
Circa 1846 to 1850
Many images are generic; the portrait is named below the portrait


Cigar Case; Papier Mache, Zachary Taylor on Horseback, Battle of the Rio Grande
Circa 1846 to 1850, entire view

An outstanding cheroot case, "Taylor's Battle the Rio Grande", hand-painted scene of Taylor on horseback reviewing troops. There are three scratches through the arm and background, else fine. (5.5 by 3")

$3,795

232-283


Cigar Case; Papier Mache, Zachary Taylor on Horseback, Battle of the Rio Grande
Circa 1846 to 1850, text detail
Cigar Case; Papier Mache, Zachary Taylor on Horseback, Battle of the Rio Grande
Circa 1846 to 1850, back view



Profile Portrait...Watercolor on Wax
A Young Revolutionary Napoleon Bonaparte
Nineteenth Century


Profile Portrait...Watercolor on Wax
A Young Revolutionary Napoleon Bonaparte
Nineteenth Century, sans frame

This image is believed to be a portrait of Napoleon as a young man. Done in wax with vibrant watercolor decoration, this is not the Napoleon with Roman emperor hairstyle as he is usually depicted, rather this is the young revolutionary Bonaparte. Mounted on a piece of watered silk and in a modern shadowbox frame. An outstanding piece remaining in very good condition, not examined out of frame. (Approximately 5-inches x 5-inches framed; wax portrait approximately 2.5-inches in length.)

$775

232-87


Profile Portrait...Watercolor on Wax
A Young Revolutionary Napoleon Bonaparte
Nineteenth Century, entire view
Profile Portrait...Watercolor on Wax
A Young Revolutionary Napoleon Bonaparte
Nineteenth Century, scale view



Carved Bust, President William McKinley (1843-1901)
Anonymous Carver, like carved soon after assassination
25th President of U.S, 1897-1901


Carved Bust, President William McKinley (1843-1901)
Anonymous Carver, like carved soon after assassination 
25th President of U.S, 1897-1901, entire view

Walnut, fine condition, (Height: 3.5"; width: 3.5"; depth: 2")


Carved Bust, President William McKinley (1843-1901)
Anonymous Carver, like carved soon after assassination 
25th President of U.S, 1897-1901, back view

$495.00

110-958





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If you are interested in buying any of these items, please call (978) 597-8084 or email David Hillier at drh@aaawt.com

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