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Paintings, Pair, American Homestead Winer & Summer
Date/Period: Circa 1870-1890 - SOLD


Paintings, Pair, American Homestead Winer & Summer, entire view summer

Paintings, Pair, American Homestead Winer & Summer, entire view winter

Measurement: Each, frame: 32 x 25"; view: 25.5 x 18.75"

Condition: Excellent, original stretchers

Additional Information: After Currier and Ives lithographs published 1868-1869.

SOLD

492-238




Antique Painting, Fishing Party on the Upper Hudson, Thomas Doughty
Attributed to Thomas Doughty (1793-after 1860)
A fine example of the Hudson River School artists work. Two men on a cliff
overlooking the water observe fishermen in a dory; typical of Doughty is the red
jacket and the silver streak in the sky
Oil on canvas - SOLD


Antique Painting, Fishing Party on the Upper Hudson, Thomas Doughty 
Attributed to Thomas Doughty (1793-after 1860), entire view

Thomas Doughty was born in Philadelphia, he was the first American artist to work
exclusively as a successful landscapist; he is credited along with Thomas Cole and
Asher B. Durand as founders of the Hudson River School of landscape painting
He was known for his quiet, often atmospheric landscapes of the rivers and mountains
of Pennsylvania, New York and especially the Hudson River Valley, and New England.
The picture remains in a high degree of originality with one small repair in lower section
and very minor scattered retouch.
(Frame: 29.5" x 25.5" view: 23.5" x 19.5")

SOLD

1148-3




19th Century Painting, Landscape,
Waterscape, Diamond Cove, Charles Codman
Great Diamond Island, Maine,
originally an artistic retreat community…
Oil on Canvas, Attributed to
Charles Codman (1800-1842) - SOLD


19th Century Painting, Landscape, Waterscape, Diamond Cove, Charles Codman
Great Diamond Island, Maine, originally an artistic retreat community…
Oil on Canvas, Attributed to Charles Codman (1800-1842), entire view

A colorful vista looking toward the islands of casco bay; two pair of women stroll a shore
path. Wonderful palate. Codman arrived in Portland, Maine in 1822, he and other artists
produced many images of Diamond Cove which became a visual icon and favorite
tourist location. See, Charles Codman – The Landscape of Art and Sculpture in 19th
Century Maine.
Published by the Portland Museum of Art, 2002; Diamond Cove and
Codman’s attraction the location is discussed. Similar views are published on page 71
and 72, Diamond Cove in Hog Island, Casco Bay, 1842; also, Diamond Cove, circa
1835-1842.
According to an inscription on the verso, “taken off stretcher and mounted
on board, cleaned, and varnished / April 1984”. Written on back of canvas: “Diamond
Cove”. (Frame: 16.5" x 12.75"; view: 12.25" x 8.75")

SOLD

290-54




Antique Painting, Rural Winter Landscape, Maine Scene, Sarah Jane Prentiss (1823-1877)
Maine [born in Paris, Maine, died and buried in West Paris, Maine]
This painting is signed at lower right, she signed very few of here works
Oil on Canvas, original stretcher, period gilt frame - SOLD


Antique Painting, Rural Winter Landscape, Maine Scene, Sarah Jane Prentiss (1823-1877), entire view

Displaying a logger, landowner and child with sled; a team of oxen…mountainous view.
The artist was not well known nor prolific. Her works speak to her enjoyment of the
nature that surrounded her; her works were done for enjoyment.

After the death of her mother in 1859, she lived with her aunt in Wakefield,
Massachusetts. Prentiss studied drawing and watercolor under Stephen Salisbury
Tuckerman at the School of Design in Boston. During the Civil War, in 1861, Miss
Prentiss volunteered as a nurse serving at the hospitals of Maryland where she
contracted malaria…. Never fully recovering, (eventually leading to her early death).
After her war service she returned to Paris, Maine to paint; in 1874 she traveled to
Munich and the Bavarian and Italian Alps…again returning home in late 1875, her
health having worsened, she was welcomed at her brothers home, "Elm Bank," in
Bangor, Maine. She died there October 21, 1877.

The picture is in very good condition with scattered minor fill;
two tiny punctures are restored.
(Frame: 21" x 17.5"; view: 17.25" x 13.75")

SOLD

632-83




American School Folk Art, Landscape, Residence of Mrs. Hoover, Federal
Watercolor, pencil, and Gouache, Indistinct Signature
Benevola, Maryland
19th Century - SOLD


American School Folk Art, Landscape, Residence of Mrs. Hoover, Federal
Watercolor, pencil, and Gouache, Indistinct Signature
Benevola, Maryland
19th Century, entire view

A house portrait, "The Residence of Mrs. Hoover, Benevola, Maryland", a blue Federal home having a white picket fence and outbuildings with family and carriage in the foreground, signed indistinctly on the lower right.
(Dimensions: 21.25 by 27.5" frame, 12.25 by 18.5" sight-size.)

SOLD

605-73




American School House Portrait Within Landscape
Reynolds’s Bristolboard Blind Stamp at Upper Right Recto
Anonymous Artist, Likely 1880’s - SOLD


American School House Portrait Within Landscape

Pencil and watercolor within period gilt frame
(Excellent condition, not examined out of frame
(Frame: 23 x 19"; view: 20 x 15.5")

SOLD

928-81




Painting, Old Masters Dutch School, Village Scene
Anonymous, 17th or 18th Century
Oil on canvas
A man walks the lane to a small village
with church steeples in the distance - SOLD


Painting, Old Masters Dutch School, Village Scene
Anonymous, 17th or 18th Century
Oil on canvas
A man walks the lane to a small village with church steeples in the distance, entire view

(Typical relining, 18th century wedged stretcher, scattered in-paint pretty much limited to
sky. Frame: 28.25" x 21.25"; view: 22.75" x 15.75")

SOLD

786-18




Primitive House Farm Portrait
Found in Ohio
Circa 1900 - SOLD


Primitive House Farm Portrait
Found in Ohio
Circa 1900, entire view

Oil on pressed board, fine condition (Frame: 28 by 20.25"; view: 22.5 by 14.75")

SOLD

659-33




Antique, Folk Art Landscapes,
North Litchfield Village, Maine
Litchfield, Kennebec County, Maine
Oil paintings on basswood panel - SOLD


Antique, Folk Art Landscapes, North Litchfield Village, Maine 
Litchfield, Kennebec County, Maine
Oil paintings on basswood panel, entire view 1

According to an old Kennedy Galleries (NYC) label, the paintings are by Charles
Frederic Dunn; stated is that they are signed on the back. We do not find a signature
surmising that an original frame or backboard was signed.
As stated, Charles Frederik Dunn (1810-1882) was indeed born in Litchfield, he had a
son by the same name born in 1851, he died in 1908.
One of the folky rural scenes is mounted within a period frame,
the other within a modern frame.
(Frame: 17.25" x 25.25"; view: 21" x 13"; Frame: 24" x 17.75"; view: 19.5" x 13.25")

SOLD

1312-5




Mt. Vernon, American School Sandpaper Drawing, Charcoal, Tomb of Washington - SOLD


Mt. Vernon, American School Sandpaper Drawing, Charcoal, Tomb of Washington

Washington’s residence, his new [1831] tomb in foreground, grazing sheep and gardens overlooking the Potomac. The work is housed within a period gilt frame. (Excellent condition;
25"x18" framed, 20.25x13.75-site)

SOLD

492-206




Antique Marble Dust Picture, Sandpaper Drawing, Outstanding Frame
Anonymous, 19th Century - SOLD


ntique Marble Dust Picture, Sandpaper Drawing, Outstanding Frame
Anonymous, 19th Century, entire view

A very colorful and bright riparian scene within split-column frame of curly maple and
birch; turned columns joining corner blocks having brass bosses.
(As depicted, light scratch; Frame: 16.25" x 12.25"; view: 13.25" x 9.25")

SOLD

754-24




Painting, Chrysler Building, New York City, Oak Frame
Anonymous, Early 20th Century
Oil on paperboard - SOLD


Painting, Chrysler Building, New York City, Oak Frame
Anonymous, Early 20th Century, entire view

Caption at bottom of painting reads: "42 LOOKING EAST FROM 6 AVE WORLDS BUSIEST AT THE PARK SUB" (Retouch limited to sky; frame: 35.5 by 32.5", sight-size: 24.5 by 28.5")

1026-10 - SOLD




Samuel Griggs, Painting, Old Farmhouse and Barns, White Mountains Oil on Canvas Original stretcher and frame - SOLD


Samuel Griggs, Painting, Old Farmhouse and Barns, White Mountains
Oil on Canvas
Original stretcher and frame

Samuel W. Griggs (1827-1898) was known as a painter of the White Mountains of New Hampshire; the Boston City Directory listed him as an Architect from 1848 to 1852…as an artist from 1854 to his death in 1898. The competency of his work strongly suggests that he had professional training, he likely studied under Albert Bierstadt before Bierstadt was well known. Griggs' earliest listed painting, a White Mountain scene, is a work dated1858. Albert Bierstadt coordinated a New Bedford, Massachusetts exhibition in 1858 where Griggs exhibited three works including a White Mountain view. He also exhibited at the Boston Athenaeum from 1855 to 1863, as well as the Boston Art Club at various times. Samuel Griggs died in Boston in the year 1898. The stretcher displays a label for Chas. J. Edmands, Dealer in Artist materials, No. 12 Broomfield Street, Boston, Mass.
(Frame: 35.25" x 27"; view: 25.5 x 17.5")

SOLD

492-197




Painting, Willow Valley, Woodstock Township, New York, Kotzbauer
Early 20th Century, Signed at lower left, J.B. Kotzbauer (German American artist)
Oil on pressboard - SOLD


Antique Painting of Willow Valley, New York, Signed J.B. Kotzbauer, Early 20th Century, entire view

(Frame: 13.5 by 11”, sight-size: 12 by 9”)

360-8 - SOLD




Pastel on Marble Dust Painting, Architectural, American House and Environs
Anonymous, 19th Century
A pleasing composition of linear perspective - SOLD


Antique Pastel Painting of the American House Hotel, Anonymous, 19th Century, close up view

Pastel on paper (marble dust) Frame: 26.5” by 21.5”; view: 22.5” by 17.5”

210-254 - SOLD




Folksy Farm Scene, House, Barns, Orchard, Fenced Pasture, Cattle
Anonymous, Late 19th Century; Queen Anne Style Architecture
Graphite, watercolor and crayon pencil - SOLD


Antique Folksy Farm Scene Painting, Anonymous, Late 19th Century, entire view

A tidy farm environ, the farmer driving his hay wagon pulled by a team of horses; a dog and his companion stroll towards the brook.
(The period oak frame measures: 35 by 28”, sight-size: 28 by 21.5”)

928-73 - SOLD




Painting, Mountain Landscape & Castle, Thomas Chambers, Folk Art (1808 to 1866)
New York, Circa (1833 to 1860)
Rhythmic shapes, bold colors and strong contours - SOLD


Painting, Mountain Landscape & Castle, Thomas Chambers, Folk Art (1808 to 1866)
New York, Circa (1833 to 1860), entire view

(Tiny puncture at lower right was expertly restored, else fine; gold gilt frame is period although not original; frame: 27 by 21", sight-size: 23 by 17")

659-47 - SOLD




Painting, Folk Art, Farm Landscape, Watercolor, West Bend
Anonymous, 19th Century
A detailed and folksy country view - SOLD


Painting, Folk Art, Farm Landscape, Watercolor, West Bend
Anonymous, 19th Century, entire view

(Couple tight tears at lower right and left extremities; 20.5 by 14.25" overall)

216-492 - SOLD




Painting, Mountainous Camp Scene, Tents on Mountainside
Anonymous
Oil on Canvas - SOLD


Painting, Mountainous Camp Scene, Tents on Mountainside
Anonymous
Oil on Canvas, entire view

(Frame: 38.5 by 28.5", sight-size: 34.5 by 24.5")

1062-4 - SOLD




Painting, Ink, Freehand and Stencil, Blow Tube Technique
Probably New York
19th Century - SOLD


Painting, Ink, Freehand and Stencil, Blow Tube Technique
Probably New York
19th Century, entire view

Stenciled cathedral, stag and cottage within stenciled hillocks; clouds and freehand trees - the foliage created by spreading ink with a small mouth-pipe; bark and hillocks in foreground done by hand. The work remaining in very good condition with even toning, having minor foxing, is mounted within a black painted frame; not examined out of frame. (Frame: 13.75 by 11.25"; view: 8.5 by 11")

532-27 - SOLD




Watercolors, Pair, Landscape, one: Man Walking Dog, the other: Boy Fishing
By Adrian Livingston
1895 and 1896 - SOLD


Watercolors, Pair, Landscape, one: Man Walking Dog, the other: Boy Fishing
By Adrian Livingston
1895 and 1896, entire view

The works are mounted within carved and gessoed gilt frames; excellent condition, save for water stain on one mat.
(Frame: 35.5 by 23.75"; view: 31.25 by 19")

1020-5 - SOLD




American School, Oil on Canvas Painting, Hudson River School, Landscape
Perhaps West Point looking north with Storm King Mountain in the distance
Anonymous
19th Century - SOLD


American School, Oil on Canvas Painting, Hudson River School, Landscape
Perhaps West Point looking north with Storm King Mountain in the distance
Anonymous
19th Century, entire view

Hudson River view with sailing boats, steamer, landscape
Original frame and stretcher, minor scattered fill, (Frame: 23 by 31"; view: 16 by 24")

1020-20 - SOLD




New Hampshire Rapids
Oil on Canvas - SOLD


New Hampshire Rapids
Oil on Canvas, entire view

The frame measures 28 by 22-inches, while the view area measures 22.5 by 16.5-inches.

144-21 - SOLD




New England Winter Scene
Oil on canvas
Late 19th Century - SOLD


New England Winter Scene
Oil on canvas
Late 19th Century, entire view

As depicted, old woman with burden of firewood, homestead; village and mountains in background. The work is mounted within original gilt frame and remains on original stretcher, all else fine.
Dimensions: 22.5 by 19.5-inch frame, 18.5 by 15.5-inch sight-size.

903-39 - SOLD




Castle Garden Painting, Folk Art
Anonymous
19th Century - SOLD


Castle Garden Painting, Folk Art
Anonymous
19th Century, entire view

Oil on canvas, original stretcher, mounted within original gilt frame
No restoration; Frame: 25.5 by 35.5"; view: 21.5 by 31.5"

659-16 - SOLD




EDWARD KRANICK, A Man, Boy, and Dog Overlooking the View of Morristown NJ
Morristown, New Jersey
1852
Oil on Canvas
Signed lower right Edward Kranick 1852 - SOLD


EDWARD KRANICK, A Man, Boy, and Dog Overlooking the View of Morristown NJ
Morristown, New Jersey
1852, entire view

A German-born painter active in New Jersey after 1849, executed this tranquil oil on canvas, depicting a (hunter?) man, a boy, and a dog overlooking the view of Morristown.
Excellent original condition, Ex Kennedy galleries.
25.5 by 35"

216-429 - SOLD




Painting, New England Farm Scene
Nineteenth Century
Anonymous
Oil on Canvas - SOLD


Painting, New England Farm Scene
Nineteenth Century
Anonymous
Oil on Canvas, entire view

An idyllic folksy farm scene with flowering trees, cows at feeding trough; stone fence with split-rail gate, and farmer walking to post-and-beam barn. The work is stretched tightly on early stretcher and is mounted within red painted frame.
Dimensions: 16.25 by 21" frame, 12.5 by 17.25" sight-size.

191-332 - SOLD




Painting, View of Massachusetts State Prison at Noon
Avery and Dwight Artists
Charlestown, Massachusetts
1886 - SOLD


Painting, View of Massachusetts State Prison at Noon
Avery and Dwight Artists
Charlestown, Massachusetts
1886, entire view

Oil on canvas, (35 by 50-inches.)
Depicted is a scene of the West Yard of the prison; painting is inscribed "Avery & Dwight Artists" and bears the title and names of prison officials within ribbon along the bottom. The prison, located at Lyndes' Point popularly called Charlestown prison was designed by Charles Bullfinch and was built in 1805. This maximum-security facility served New England for 150-years until being mostly demolished in 1955. Housed within the walls were criminals, many of them very famous; paupers and debtors, and the insane. The picture depicts prisoners in neat formation with officials keeping watch. The work has been cleaned and relined; moderate in-paint.

216-391 - SOLD




Painting, Farm Scene, New England
Purportedly Worcester County
Signed B.V. Brooks
1895 - SOLD


Painting, Farm Scene, New England
Purportedly Worcester County
Signed B.V. Brooks
1895, entire view

Oil on canvas, fine condition
View area: 36 by 24".

956-2 - SOLD


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