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Portraits, Pair, Folk, Untouched Original Condition Including Frame and Stretcher
John and Caroline Whitman Newcomb
Massachusetts, circa: 1830's
Oil on Canvas - SOLD


Portraits, Pair, Folk, Untouched Original Condition Including Frame and Stretcher
John and Caroline Whitman Newcomb
Massachusetts, circa: 1830's
Oil on Canvas, entire view

John Whitman Newcomb
Born July 24, 1807
Married September 1, 1833
Died April 12, 1867

Caroline Gobbs Newcomb
Born October 10, 1814
Died August 2, 1877
(The original gilt frames measure 33 by 27.75", sight-sizes: 27 by 21.75")

SOLD

925-11




William Jennys, Portrait of Gentleman,
Likely Connecticut or Vicinity
An accomplished waist-length composition
William Jennys (1774 to 1859)
Oil on Canvas - SOLD


Antique Portrait of a Gentleman, By William Jennys, Oil on Canvas, close up view

Jennys advertised in 1792 as a portrait painter in Norwich, Connecticut; he was active mid-1790s throughout the Connecticut River Valley and New York. He settled in Newburyport, Massachusetts in 1804, where he was most productive and financially successful; after 1817 he moved to Littleton, New Hampshire.
(The painting was long ago relined and mounted within a period frame displaying a wonderful surface. Frame: 29.5 by 34"; view: 24 by 29")

Literature: William Lamson Warren, "The Jenny's Portraits," in the Connecticut Historical Society BULLETIN, volume 20 (Hartford, October 1955), number 4, pp. 97-128. See the illustration for figure 10; page 104, "Unidentified Portrait," on page 128 appears this further note: "UNIDENTIFIED PORTRAIT. The subject of this portrait is said to be Thomas Seymour (1735-1829), first Mayor of Hartford. Portrait attributed to William Jenny's. (25 by 29 inches. [Figure 10]. Relined, modern stretchers. Lent by Dr. and Mrs. Robert Mallory III, Rye, N.Y."

Exhibited: "Richard and William Jennys Exhibition, November 1955 through January 1956; the Connecticut Historical Society, Hartford, Conn." (See page 122.)

SOLD

413-39




Pair of 18th Century Portraits, Elegant Man and Woman, Competently Rendered
Anonymous, Continental
Oil on Canvas - SOLD


Antique Pair of Portraits of an Elegant Couple, Anonymous, 18th Century, pair view

(Relined and mounted on updated stretcher during the 19th century; a few extremely minor scattered spots of glazing; no frames, 23” by 28”)

648-16 - SOLD




Daniel Webster's Portrait, Statesman, Great Orator (1782 to 1852)
Nineteenth Century
AnonymousSOLD


Daniel Webster's Portrait, Statesman, Great Orator (1782 to 1852)
Nineteenth Century
Anonymous, entire view

In very good condition with some minor glazing and an old two" repair at upper right. (Frame: 31.25 by 37"; sight-size: 26 by 32")

SOLD

536-31




American School Portrait, Young Boy Reading,
The Subject is Aged 14, 1804
Anonymous, Verso Dated 1804
This painting just in; please call or email if interested in discussing attributionSOLD


Antique Portrait of a Young Boy Reading, American School, Dated 1804, close up view

(Fine condition; frame: 28 by 33”, sight-size: 22 by 28”)

SOLD

661-37




Portrait, Young Man Holding a Pen, Seated in Decorated Windsor Chair, Folk Art
A Powerful, Engaging and Intense Composition
Attributed to Harlan Page (1791 to 1834)
Likely Connecticut, Dated 1821 - SOLD



Portrait, Young Man Holding a Pen, Seated in Decorated Windsor Chair, Folk Art
A Powerful, Engaging and Intense Composition
Attributed to Harlan Page (1791 to 1834), entire view

A related portrait may be viewed at the Florence Griswald museum website; Works from the Hartford Steam Boiler Collection or see Hildegard Cummings article published in Antiques and Fine Art; Portraiture in Early Connecticut
(Lined; scatted in-paint; mounted within period gilt frame; 30 by 34", sight-size: 22.5 by 26.5")

SOLD

570-464




Portrait of Ann Morley by George Romney, 1787
Romney, (1734 to 1802); perhaps the most fashionable society portraitist of his day - SOLD


Antique Portrait of Anne Morley, By George Romney, 1787, close up view

See, George Romney, A Complete Catalogue of His Paintings by Alex Kidson, Volume II, [Ann Morley], page 420, number 922. (Yale University Press, 2015)
Morley (1757-1787) was widow of Captain John Barlow, she became second wife of James Morley in 1787; she and her infant son died in childbirth the same year.

Torn label on top of stretcher reads: "Mrs. M--- / Anne - (born-- / after May 1784 / wife of James Mor-- / Bombay & Sempsh-- / Hants. died Dec.24,1787 / Buried in Winchester Cathedral / Painted in 1787". (c) This may be identified as Mrs. Morley of no.2, Soho Square, listed in Ward, Thomas Humphry and W. Roberts. Romney. London, 1904.

(Outstanding frame may be original; displays minor imperfections; professional restoration available. Very minor restoration to canvas, fill to cracklature. (Frame: 34.25 by 39”, sight-size: 23.5 by 28.5”)

We have other information and provenance, we invite your phone call.

879-44 - SOLD




Portrait, Oil on Canvas, Englishman; Edward Acton, 1651 to 1719, Circa 1700 - SOLD


Antique Oil on Canvas Portrait of an Englishman, Circa 1700, close up view

(Extremely minor 19th century restoration; frame: 32 by 38”, sight-size: 24 by 30”)

997-18 - SOLD




Portrait of a Man Holding a Telescope
Anonymous
18th Century
Elegantly dressed self assured gentleman - SOLD


Portrait of a Man Holding a Telescope
Anonymous
18th Century, entire view

(Excellent condition, original stretcher, never relined, extremely minor "touches". Dimensions: 34.75 by 30.75".)

843-188 - SOLD




Portrait, Noble Gentleman in Gray
America or England
Circa 1720 to 1730
Oil on Canvas - SOLD


Portrait, Noble Gentleman in Gray
America or England
Circa 1720 to 1730, entire view

The confident subject within feigned oval architectural cartouche, depicted before a landscape, looks directly at the viewer. The gentleman in full wig wears a ruffled cravat, blue shirt and gray silk coat. The painting was lined and stretched during the 19th century; some in-painting mostly confined to areas of stretcher otherwise extremely minor.
(Dimensions: 29.5 by 24.75".)

786-8 - SOLD




Eighteenth Century Portrait, Clergy Wearing Preaching Bands
Anonymous
Original carved, painted and parcel gilt frame - SOLD


Antique Portrait of Clergyman Wearing Preaching Bands, 18th Century, close up view

(Lined and remounted during the 19th century, restoration; frame: 34 by 39.5”, sight-size: 24 by 30”)

1140-2 - SOLD




Federal Period Portrait, Agreeable and Handsome Gentleman, American School
Anonymous, oil on panel - SOLD


Antique Federal Period Portrait of a Handsome Gentleman, American School, close up view

(Looks great under black-light, modern frame; frame: 25 by 30"; view: 21 by 25.5")

414-66 - SOLD




Outstanding Half Length Portrait, Young Woman, White Dress and Red Shawl
Ammi Phillips (1788 to 1865), Circa 1815 to 1820 - SOLD


Antique Half Length Portrait of Young Woman, By Ammi Phillips, Circa 1815 to 1820, close up view

(The portrait is mounted in a period gilt frame; the artist reused an old canvas, on the reverse is found a portrait of gentleman. There are scattered and very tiny areas of fill that are about moot. Frame: 28.75 by 34.75”, sight-size: 23 by 29”)

570-499 - SOLD




Portrait, Young Gentleman
Attributed to Horace Bundy (1814-1883)
Circa 1840's
Oil on Canvas - SOLD


Portrait, Young Gentleman
Attributed to Horace Bundy (1814-1883)
Circa 1840's, entire view

The canvas remains on original stretcher, and has been relined. It appears that the frame may be original. (Frame: 30.5 x 35.25 inches; view: 24.5 x 29.25 inches)

765-2 - SOLD




Portrait, Boy with Dog, John Burch, Signed: Isaac Sheffield, 1821, New London, Connecticut
Fine American oil on wood panel of a young boy and his dog contained in period gilt frame
Signed, John Burch, Painter / Isaac Sheffield / New London / April 1821
Handsome lad wearing blue jacket, seated in Hepplewhite chair with adoring dog - SOLD


Antique Portrait of a Boy with a Dog, Signed Isaac Sheffield, 1821, entire view

(Excellent condition, signed on the verso; frame: 13 by 15”, sight-size: 9.75 by 11”)

661-29 - SOLD




Portrait, Huntsman, Young Aristocratic Fox Hunter, Carved Frame
English School, 18th Century - SOLD


Portrait, Huntsman, Young Aristocratic Fox Hunter, Carved Frame
English School, 18th Century, entire view

The frame may be original and features egg and dart carving, gadrooning and more; at top center is a splendid carved fox head; bottom rail displays a leather and chain dog collar; each corner with flower; all relief carved.
(As expected and accepted, very old lining and re-stretching; a few small and extremely minor fills, else fine. frame: 37.5 by 45", sight-size: 29.25 by 36.5")

570-459 - SOLD




Portrait, Gentleman Wearing Half Armor under Blue Coat
English
Late 17th to Early 18th Century - SOLD


Portrait, Gentleman Wearing Half Armor under Blue Coat
English
Late 17th to Early 18th Century, entire view

The canvas was re-stretched during the 19th century; minor in-painting mostly limited to stretcher rub. Dimensions: 29.75 by 35" frame, 23.25 by 28.75" sight-size.

107-134 - SOLD




Portrait of a Gentleman, Bad Hair Day Artist
Connecticut or New York State
Anonymous
Circa 1805
Oil on canvas, 24.5 by 20.5" - SOLD


Portrait of a Gentleman, Bad Hair Day Artist
Connecticut or New York State
Anonymous
Circa 1805, entire view

Other portraits by the hand of this unknown, yet accomplished painter are found in the collections of the Abby Aldrich Rockefeller Folk Art Collection in Colonial Williamsburg and in private collections. The artist combined his knowledge of Neoclassical American portrait painting, as it was practiced in Connecticut and New York by artists such as Trumbull and Vanderlyn, with vernacular traditions of itinerant New England and New York painters-such as Ammi Phillips in his Border Limner period-and a heavy dash of his own individuality. The result is an engaging and memorable eccentric portrait that has such a particular quality that his work can be attributed from collection to collection. In addition, it is an early-American tonsorial masterpiece. Barbara Luck at the AARFAC has related three other male portraits to this one; see Gentleman Farmer, plate 202 on page 222 of Beatrix Rumford, American Folk Portraits. Also see the catalog by the Genesee Valley Council on the Arts, Early Arts of the Genesee Valley, 1974, plate 8, Gentleman with Ledger, oil on wood panel, dated 1823. There is a portrait of Ebenezer Mack of Ithaca, New York, which was published in the Maine Antiques Digest, May 1994, page 15E; this is the best documented painting from the group having come directly from the Mack House in Ithaca. In addition to the preceding portraits, the portrait of John Lent, oil on canvas, probably from Leroy, New York, is illustrated on page 24 of Early Arts of the Genesee Valley. All of these portraits are distinguished by unruly hair. The similarity of the five paintings and their slight differences suggest a single hand developing through time from a country limner to a somewhat more sophisticated painter. Childs Gallery to Private Collection (Extremely minor touches; remounted on masonite)

413-29 - SOLD




Portrait, American School
Mid Nineteenth Century
Oil on Canvas - SOLD


Portrait, American School
Mid Nineteenth Century
Oil on Canvas, entire view

Gentleman with rolled paper positioned before a curtain with a vista to classical building. There is a plate suggesting that to subject is a politician named Woodfin who was a member of the West Virginia Legislature. (Building looks like the Virginia Capital) Dimensions: 36.5 by 41.5" frame, 24.5 by 29.5" sight-size.

883-1 - SOLD




Portrait Of Gentleman
Signed by H.C. Pratt (1803-1880)
Maine...circa 1826
Oil on Canvas - SOLD


Portrait Of Gentleman
Signed by H.C. Pratt (1803-1880)
Maine...circa 1826, entire view

Oil on canvas, signed on the reverse, "H. C. Pratt / pinxt / 1826," Henry Cheevers Pratt (1803 - 1880) was an American portrait painter; it is known he was working in Portland, ME during the time this painting was done. The sitter is unknown. Some in-painting and tack-edge reinforced; old patch near the bottom. The portrait remains on original stretcher and appears to be mounted within its original gilt frame that measures 37.5-inches x 32-inches; 29.5-inches x 24-inches view.

448-12 - SOLD




Monk Painting Portrait of a Cardinal
Oil on Canvas in Elaborate Frame - SOLD


Monk Painting Portrait of a Cardinal
Oil on Canvas in Elaborate Frame, entire view

Oil on canvas depicting a monk painting a portrait of an aging cardinal, signed T. Rosenthal, possibly Toby [Tobias] Rosenthal. Rosenthal was an expatriate American genre painter who studied and spent much of his career in Germany. He usually worked very large so if this is by him it would definitely be a sketch that someone had framed.
Condition: flaking on the painting, and losses to the frame.
Dimensions: 9.5 by 7.5-inch sight-size, 18 by 16-inch frame.

514-134 - SOLD




Portrait of a Gentleman, Head and Shoulders, Bewigged
Late 17th Century
Anonymous
Oil on Canvas - SOLD

br clear="all">Portrait of a Gentleman, Head and Shoulders, Bewigged
Late 17th Century, entire view

Dimensions: 30.5 by 35.5" frame, 24.5 by 29.5" sight-size.

786-6 - SOLD




Portrait, Lady in Red
England
Circa 1740
Anonymous
Oil on canvas - SOLD


Portrait, Lady in Red
England
Circa 1740, entire view

A framed oil on canvas bust portrait of beautiful young woman in a red dress. Frame plate engraved Thomas Hudson 1701-1799. The work was relined during the nineteenth century and is mounted within a good carved and gilt frame; excellent condition. Dimensions: 32 by 37" frame, 23.75 by 29" sight-size.

786-5 - SOLD


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